Welcome back to Canned, where we dig up canceled shows from the TV vault and breathe sweet life into them for a brief, fleeting moment. Today’s entry is on the ill-fated animated comedy Clone High, a joint venture with MTV and Canada’s Teletoon network. I’ll be deciding if this cult favorite deserves its status, or whether it should be buried forever.
Also, I’ll be incorporating video into the post! Because we all love that, right? Who likes reading the unnecessarily formal prose of a college student when you can just watch the damn clips he’s talking about? Well, today’s your lucky day, my lazy friends.
Now that my insulting of my already tiny audience is done, let’s move on to the show. Clone High takes the relatively clever conceit of having clones of famous historical figures, now grown to teenage years and in a special high school just for them, and uses it to spoof teen sitcoms and dramas as a whole. And I’ll tell you, dear reader, it is often with hilarious results.
for a little more backstory, let’s turn to indie group The Abandoned Pools to provide us with some info.
As the theme song generously informs us, the clones were created for some sort of government plan, which is never fully revealed by the series’ end. However, the school’s principal, Cinnamon J. Scudworth (voiced by co-creator Phil Lord) has his own plans for the clones, namely to hold them captive in a clone themed amusement park. Who are the clones, you might ask? There’s a large population of clones that populate the school and show up here and there, but the main ones are tall, awkward Abe Lincoln (voiced by Will Forte), who has the hots for sexy Cleo(patra, voiced by Christa Miller), who is in an on-again, off-again relationship with idiotic womanizer JFK (Voiced by other co-creator Chris Miller). Also in the mix is Abe’s best friend, party-crazed Gandhi (Michael McDonald, not the singer one, the
Mad TV one), and his other gal pal Joan (of Ark, voiced by Nicole Sullivan), who harbors secret feelings for Abe, feelings that he’s too dense to notice. Other clones show up from time to time, often for the use of random gags. In fact, one of the funniest things about Clone High is that the fact that the characters are clones rarely comes into play. instead, the show plays like a straight spoof of other teen shows conventions, and the characters could be just about anybody and it would still be as funny.
The show almost always hits its mark in terms of parody, from the school elections to the presence of drugs to the killing of a character brought in solely for that purpose (which Will Forte denies in his hilarious pre-episode voiceover). Probably one of my favorites is the aforementioned school election, in which both presidential clones run against each other to win Cleo’s heart. Mr. Scudworth, meanwhile, needs 2 million dollars for his clone theme park, so he decides to bring in a corporate sponsor for the election, the makers of a paste that’s supposed to give you energy, but really is nothing more than pancake batter and blue paint. Their entrance at the election is some of the most spot-on parody of “extreme marketing” I’ve ever seen (it’s at about the seven minute mark)
Each episode features a hearty amount of funny moments, and all the characters are endearing. I have to admit, I’m a big fan of the exploits of Scudworth and his sidekick, Mr. Butlertron. Scudworth is such an over the top villain and Mr. B, as he’s called, is a great comic foil. Later in the series, the writers use scudworth to spoof other genres, such as old-timey chasing cartoons like the Wile-E Coyote stuff, with an obnoxious skunk that shouts “try and catch me, bitch!” In fact, this calls for another of those fancy video clips:
Since there are so few episodes and each one is so enjoyable, I’d say this is one show that should be watched start to finish. However, the show gets increasingly dark and downright gory as it goes along, and some of the jokes don’t work quite as well. In the end though, the jokes that hit outweigh the ones that fall flat, and you’re guaranteed to laugh at least once every few minutes or so, if only at the just plain ridiculousness of it all. Some other highlights include, in my opinion, a rock opera in which the kids get addicted to raisins from a mysterious “Pusher” (voiced by Jack Black), and decide to liberate themselves. The homages to Tommy are priceless.
In the end, it wasn’t entirely poor ratings that killed Clone High. In combination with that, its demise came from a force larger and more powerful: the people of India. Don’t take my word for it, though; here’s one last clip of the creators, Phil Lord and Christopher Miller, explaining the show’s downfall:
Reportedly, people in India saw an ad in Maxim magazine depicting Gandhi’s clone in a negative light, and were none too pleased about it. As Lord and Miller explain, people fasted in protest, and such bad publicity for the network had a hand in bringing the show down. This explanation leaves mixed feelings in me. A part of me wants to just tell the Indian people to lighten the hell up, but another part of me understands where they’re coming from. Gandhi is nothing less than a martyr to them, a hero to millions whose tireless efforts of protest through non-violence gained independence for the nation, so to see his image dancing around naked or being diagnosed with A.D.D. had to be pretty upsetting. I’m sure in this country, certain people would be upset to see, say, Martin Luther King in that role (though it should be noted, he does show up, but in an appearance that seems calculated not to step on any toes). In fact, if they were moved to fasting in protest over just an image of Gandhi’s clone, they’d probably shit their pants with rage if they saw the actual show. However, what the Indian people have to remember is that the Gandhi on the show is not the real Gandhi, but instead is a clone of the real one, a clone who grew up in the American public school system in the 20th century, and may have turned out the way he is on the show. I doubt the creators of the show planned to insult the memory of one of the greatest people the world has ever known. It just shows that where you grow up has a profound impact on the person you turn out to be.
So, should it be back on the air? Most definitely. The series ends on a humdinger of a cliffhanger, with a brilliant two-parter episode. I’d watch these guys for as long as they can keep up the funniness of the first season, and the characters are lovable, for as pathetic as they all are. Maybe Lord and Miller can use some of their good will from their first film foray, this years’ winning kids’ book adaptation Cloudy with a Chance of Meatballs, which features similar humor, to get a Clone High movie made to tie up the loose ends of the finale. A clone can dream…
If you want to check it out for yourself, most of the series can be viewed on youtube or veoh with decent quality. I’d highly recommend it.
Come back next time, when I’ll be reviewing FOX’s panned sitcom The War at Home! Unfairly panned? We’ll see.
As I mentioned last time, this whole project pretty much started with a very short-lived series called Kitchen Confidential, Based on the tell-all memoir by chef and travel expert Anthony Bourdain. It seemed like a can’t miss proposition: turning Bourdain’s book, which featured plenty of disturbing details of the nasty side of the restaurant business in vivid prose, into a half hour sitcom which would wring endless comedy from its steamy source. Unfortuately, it didn’t pan out that way; critical opinion was mixed and the show earned very low ratings, eventually being preempted by the MLB playoffs before being pulled entirely. So the question now becomes, what went wrong here? To use the obligatory food analogies, was the show all presentation, no flavor? Insert other culinary reference here?
The show seemed to have a strong enough pedigree: its creator, David Hemingson, scored a hit adapting another book, Sex and the City, for HBO, and it boasted a strong cast who had been on other successful shows in the past. Its star, Bradley Cooper (in the Bourdain surrogate, instead called Jack Bourdain), had a recurring role on Alias and would later appear in the hit film Wedding Crashers. It also boasted turns from Nicholas Brendon (Xander on Buffy), John Cho (of Harold and Kumar fame), John Francis Daley (Sam on Freaks and Geeks), and even a recurring role from Frank Langella as the suave Italian restaurant owner. It seemed like the stars aligned to give FOX yet another hit comedy series to add to their growing list. But instead, it became yet another entry in an equally expanding lineup of failures which has become something of a running joke at the network’s expense.
The plot goes something like this. Jack Bourdain, a former hard drinkin’, drug takin’ bad boy chef, is now trying to get clean after losing yet another cooking gig. It seems like things aren’t gonna be easy on Bourdain’s road to recovery, that is until he gets hired as head chef at a new upscale restaurant owned by Pino (Langella), and is required to put together a kitchen team to help him run his kitchen. Predictably, he puts together a motley crew indeed, bringing in fellow bad boy sous chef Stephen (Owain Yeoman, Lysander in Troy), longtime friend and seafood specialist Teddy (Cho), goofball dessert guy Seth (Brendon), and rookie chef/punching bag Jim (Daley). Also in the mix is Pino’s daughter Mimi (Bonnie Somerville, from The O.C.), head waitress, cute hostess Tanya (Jamie King), very homosexual waiter Cameron (Sam Pancake), and a whole slew of other minor characters to up the comedy quotient. Needless to say, such a dysfunctional group produces some wacky comedy situations that, predictably, will still end up making great food and putting Bourdain on the map.
It’s a pretty straightforward sitcom premise, but one that could, theoretically, have a fair amount of comedy mileage. Sometimes the show manages to deliver on that comedy, with some ridiculous bits that manage to be pretty funny. Other times, however, the show manages to be so zany that none of it really works. In fact, part of Kitchen Confidential’s main problem is that it’s too zany, and not enough like its source material. Where the book itself has plenty of amusing and disturbing bits from Bourdain’s time in high end restaurant kitchens, the show really doesn’t have much of that, but instead focuses on its characters screwing up, then somehow coming together to save the kitchen week after week.
Most of the characters get funny things to do, even if none of them really get developed past their initial sitcom types. Daley has some of the funniest bits, but his character pretty much stays as “starry-eyed new kid who gets tortured by the more experienced pros” the whole time. Maybe if the show were on for more seasons, it could’ve fleshed stuff out a bit more. As it is though, it really doesn’t even attempt that. Everything’s back to normal at the end of each episode, all conflicts are resolved, and all adversaries defeated. It’s tactic that a lot of sitcoms use, as if they’re afraid they could be cancelled at any time. Unfortunately for Kitchen Confidential, that ended up being all too true.
So how bad is it? Well, in truth, it’s not that bad. At least not enough to warrant such an abrupt end and painfully short run. In fact, some of the best bits happened in the episodes that never saw the light of day until their release on DVD, including a funny episode in which the restaurant gets an order of live rabbits, and no one, not even the so-called “sociopath” Stephen, can gather up the cojones necessary to kill them in order to prepare for the night’s dinner. Several characters have a one-on-one with a representative of the cuddly bunnies, and can’t follow through on the dirty business of finishing them off. Each episode has a few funny bits, but they’re unfortunately intermixed with unfunny stuff, or stuff that could’ve been funny had it been dialed back a few notches. Some jokes get stretched past the funny point and into obnoxious territory, and some just fall flat entirely.
Another problem I found is the sexual chemistry between the characters never really worked. It seems like there’s supposed to be some sexual tension between Jack and Mimi, but it never really amounts to anything, and Jack’s relationship with his schoolmate and female counterpart Becky (the very attractive Erinn Hayes) is a lot more interesting. Mimi in general comes off as more annoying than endearing, kind of like Elliot on Scrubs, but with less funny moments. Similarly, Jim and Tanya start a relationship near the end of the series, much to the dismay of Seth, who has the hots for her. While Seth’s attempts to woo Tanya while she resists create some funny moments, her relationship with Jim has very little buildup, even if I’d rather see her with him than Seth.
The show definitely has a slick and polished look, but it amounts, despite the funny gag here and there, to be mostly style, little substance.
So, should it be back on the air? I’d say yes, if only to air the rest of its season. The first episodes do well to set up the general outline of the series, but most of the funniest bits never saw the light of day until released in a no-frills DVD package a little while later. If the show had drawn more from its source material and tried a little more characterization, it may have grown into a more worthwhile sitcom treat.
Luckily for the cast, they all have a little something to keep their legacies intact. Cooper would go on to star in a scrappy little comedy called The Hangover that managed to be one of this summer’s top grossing films. Daley still has his cult status from Freaks and Geeks, as does Brendon for Buffy. John Cho, while he probably will never be able to escape from his status as Harold, also had a role in a hit called Star Trek. Even Frank Langella (who, I’ve decided, is very dashing for an older man) won some acclaim for doing some stuff recently, I don’t really know what, he played some president or something.
If you’re interested in watching it for yourself, the whole season can be viewed on Hulu here:
Stay tuned next time when I review the doomed animated comedy Clone High! Or whatever the internet equivalent is for “tuned.”
The world of television is a dog-eat-dog business.
And, like any business, its products live and die by one thing: how much money they’re rackin’ up.
This is why, an unfortunate amount of the time, good, interesting, and thought-provoking shows slip through the cracks, and those dedicated fans are left wondering, “what happened? Is it my fault? How could such quality television get thrown away when filth like Daisy of Love just keeps coming back like a herpes-ridden horror movie villain?” Often good shows come and go, leaving fans wondering how the characters they gave so much of their life to ended up, hoping for a movie that can tie up all their loose ends.
Then, on the other hand, there are those shows that seem to overstay their welcome, and when they do get cancelled after two merciless seasons or so, us TV-watchers welcome it as a fresh start; a chance for better shows to enter the mix, and hopefully not fizzle and die a painful TV death.
On that morbid note, let me welcome you to Canned, where I will be watching shows cancelled early in their runs (through the magic of the interweb) and see if they truly deserved to fade back into the obscurity from whence they came, or if maybe, just maybe, they deserved better than their untimely fates.
The origins of this project come from a couple different places. First, a friend/coworker of mine named Angela alerted me to the existence of a show called Kitchen Confidential, a sitcom based on the tell-all memoir by Anthony Bourdain. I was a fan of Bourdain’s other show (and by other show I mean the only one he had any control over), No Reservations, so on Angela’s lukewarm review of the show, which I think amounted to “it was kinda…eh,” I decided to look into it a little more. As it turns out, the show was cancelled only four episodes in, with nine more unaired in it’s first season. From the sound of it, the show should’ve been pretty terrible. I was surprised, then, to find that it wasn’t really so bad (more on that later). After watching an episode or two, it got me thinking: what other shows got cancelled before their time? In my research I found that there were a surprising amount of quality shows that ended after only a season or two, and some that I thought got cancelled long before they actually did. Some shows were unable to finish their ambitious storylines before they got axed, and some seemed to have no clear end, but still left unanswered questions. I decided to explore these unfortunate casualties of the television world, to shed new light on them and give them the second look they deserve, or perhaps don’t deserve.
I decided to use another blog series, called My Year of Flops by Nathan Rabin, head writer at The AV Club. In his series, Mr. Rabin examines notorious critical and commercial failures, and decides if they’re as bottom-of-the-barrel as their reputations may lead someone to believe. I sincerely hope Mr. Rabin finds it in his heart to be merciful and not sue me, because as we all know, there’s a fine line between homage and rip-off. I just hope Mr. Rabin finds me on the former half of that comparison, assuming he’d actually find out about it. Only time will tell…
So with that, I hope you enjoy reading about my trips into the exciting world of shows cancelled early in their runs, and I hope in the coming weeks that I can make anyone who reads these posts rediscover lost TV gems, forgotten with time, but still worth a look. Unless I hate it, in which case you can bet on me telling you to avoid it like the plague.
Stay tuned for my review of the aforementioned Kitchen Confidential, and all my future posts coming soon!